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The Chronicle of the British Stage THEATRE RECORD Magazine

 

“…The last night of the showcase saw a clash between Robert Sturua’s fine Rustaveli Hamlet and the premiere of a Macbeth directed by David Doiashvili. Those like me who chose the Scottish Play were rewarded with a spectacular production, making the most creative use of light and sound and foregrounding the witches in a manner which I think the great Sturua himself would have appreciated, leaving them on stage for most of the play and using them for some surprising doubling, from the Porter to Lady Macduff.

The Macbeths played off one another superbly, and one quickly forgot that the actor playing the husband was still a student at the Academy. Yet for all the production’s showy acrobatics, video projections and amazing moving lights – even real fireworks to show the fall of Dunsinane – one can’t help feeling that a director who closes the play with the murderous couple in an amorous dying clinch may not have completely grasped its meaning. Still, the fact that this technically complex production had to be played in the foyer of Tbilisi’s Music and Comedy Theatre, while the main house is under reconstruction, is a tribute to Georgian persistence and ingenuity – as indeed was the whole festival, which may have made a shaky start but gives promise of developing into a major event in the European festival calendar. And there is always the legendary Georgian hospitality, which was much in evidence throughout”.

 Ian Herbert

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